Next
May 28th will see the launch of the first ever NY Phil Biennial, to
take place. From that Wednesday until Saturday, June 7th, music will
take on New York City with 22 concerts taking place in many different scenarios
in the city, with a roster of many well-known musicians, including Alan Gilbert
and Alisa Weilerstein amongst others.
The
truly amazing feature of this Biennial is that all the music that will be
played is new. This spectacle will include contemporary composers from all
around the world, bringing new sounds to a bunch of different corners of the
city. Going against the common belief that the audience “isn’t ready” to listen
to contemporary music because of its complicated musical language and sounds,
the New York Philharmonic has opted to create a whole festival around new music, with a fresh take on the
classical world.
This
initiative coming from musicians means a lot when it comes to appreciating and
not underestimating audiences. People are ready to listen to the music that is
being produced nowadays and this festival reinforces that idea by only
presenting fresh music. It also shows the beauty of arts working together to
create amazing pieces that will float around and envelop New York City’s venues. From The Raven, an opera based on Poe’s
brilliant poem, to CONTACT! At the Biennial, the US premiere of a musical piece
inspired by outdoors sculptures in Salzburg, this event will be filled with
references of our current environment and world, and that is precisely why
people are ready to listen to it.
But
as if it wasn’t enough, the NY Phil Biennial will also include events featuring
young students from the city, creating another element of inclusion in their
concerts. With the participation of the Julliard’s AXIOM Ensemble in the opera Gloria – a pig’s tale; the concert
performed by the Kaufman Music Center's Special Music School High School,
the only ensemble 18 and under dedicated only to the performance of music by
living composers; to the Very Young
Composers of the Philharmonic, a concert performed by Philharmonic
musicians and teaching artists with music composed by students of the Very
Young Composers program, and Jovenes Compositores de Venezuela program.
This
event will truly be a musical revolution. It will have the great task of
showing people how much they are ready for new music, and show those musicians
clinging to the past how ready audiences are for new music. As Benjamin Zander
says, “everybody loves classical music, they just don’t know it yet”. And what
better way to find out that you love this music than to hear the interpretation
of your current world through sounds, the sounds of today. So I invite you to join the NY Philharmonic in
their “musical playground of the here and now. Let’s go beyond. Let’s explore,
let’s revel. Let’s play!”
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